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  • Geraint D'Arcy
With the emergence, suspicion and social acceptance of ubiquitous communications technology thoroughly plumbed and the digital age already wondering what it is going to rename itself in light of ever more fluid and complex technologies, this paper asks: what can theatre and performance provide to the production of a political philosophy of technology? Using the work of Maurice Merleau-Ponty, Michel Foucault and an analysis of a recent inter-cultural adaptation of Jean Genet's The Maids, this study examines the politics of visible theatre technologies in performance and offers a pragmatic, or instrumentalist, approach to developing a political philosophy of technology.
Original languageEnglish
Pages (from-to)178-198
JournalPerformance Philosophy
Volume3
Issue number1
DOIs
Publication statusPublished - 1 Aug 2017

    Research areas

  • theatre technology, performance technology, pragmatism, instrumentalism, scenography, Technology, technoculture, Genet, Merleau Ponty, Foucault, Multi-media, intermediality, visibility

ID: 1270548