Abstract
The artistic contribution that Directors of Photography make to the films that they shoot, in narrative mainstream cinema, has been historically ignored in favour of the director-centred auteur theory. In order to address this imbalance a new approach to attributing authorship in film needs to be implemented, which acknowledges co-authorship in collaborative film-making. By taking established auteur methodologies Philip Cowan, himself a practising Director of Photography, analyses the role of cinematographers, and proposes new ways of evaluating their work.
| Original language | English |
|---|---|
| Pages (from-to) | 75-96 |
| Number of pages | 22 |
| Journal | Journal of Media Practice |
| Volume | 13 |
| Issue number | 1 |
| DOIs | |
| Publication status | Published - 12 Jun 2012 |
Keywords
- Cinematography
- Film Authorship
- Citizen Kane
- Gregg Toland
- Orson Welles
- film