Abstract
All popular music has a degree of repetition at a micro and/or macro level, a paradigm that has also been shown to be true in both the European classical tradition and music of most other cultures. The occurrences of these events can range from the smallest motific melodic fragment, to ‘phrase’ (question/answer) and ‘section’ (verse chorus) repetitions, to riff based harmonic/melodic patterns. These repetitions usually occur on an intra compositional basis, but as evidenced by the pervasiveness of sampled loops in contemporary dance music and rap, can also work on inter compositional levels, resulting in potentialconceptual allusions of musical (and non-musical) factors between texts. This essay examines the creative incorporation of a specific type of repetition in popular music, that
of loop-based composition and improvisation.
of loop-based composition and improvisation.
Original language | English |
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Pages (from-to) | 43-58 |
Journal | IASPM Journal |
Volume | 10 |
Issue number | 1 |
DOIs | |
Publication status | Published - 1 Nov 2020 |