Activities per year
Abstract
This chapter explores the intersections between the use of cookbooks and place by focusing on recipe books inspired by the themed spaces of Walt Disney World and Disneyland theme parks. Work on fan cookbooks remains scarce, but Magladry (2017) argues that cooking recipes from fictional texts ‘functions as a type of culinary tourism’ (2017, p. 8) where eating related food enables ‘a sensual, embodied experience of another place without having ever been there’ (2017, p. 8).
However, although ‘being there’ is crucial for fans of food and drink consumed in theme parks such as Walt Disney World (Williams, 2018), since these are not ordinary and cannot be consumed in the usual rhythms and routines of the fan’s life, this chapter explores how the existence of both official Disney-endorsed and fan-created cookbooks. These books, which include recipes for many of the iconic food and drink available in the Parks, complicate the issue of spatial exclusivity of these items. Through analysis of three of these cookbooks – the official The Ultimate Disney World Cookbook and Cooking With Mickey and the Disney Chefs, and the unofficial Deliciously Disney Copycat Recipes - I consider how they re-situate items that are exclusive to particular places as dishes that can be consumed within the everyday ordinary space of the home kitchen. The chapter analyses how the dichotomy between auratic foodstuffs and the home-made replicas can be negotiated, alongside the inherent commercial tensions between officially produced and Disney-endorsed cookbooks and fan-created objects that might threaten the Company’s corporate intellectual interests.
However, although ‘being there’ is crucial for fans of food and drink consumed in theme parks such as Walt Disney World (Williams, 2018), since these are not ordinary and cannot be consumed in the usual rhythms and routines of the fan’s life, this chapter explores how the existence of both official Disney-endorsed and fan-created cookbooks. These books, which include recipes for many of the iconic food and drink available in the Parks, complicate the issue of spatial exclusivity of these items. Through analysis of three of these cookbooks – the official The Ultimate Disney World Cookbook and Cooking With Mickey and the Disney Chefs, and the unofficial Deliciously Disney Copycat Recipes - I consider how they re-situate items that are exclusive to particular places as dishes that can be consumed within the everyday ordinary space of the home kitchen. The chapter analyses how the dichotomy between auratic foodstuffs and the home-made replicas can be negotiated, alongside the inherent commercial tensions between officially produced and Disney-endorsed cookbooks and fan-created objects that might threaten the Company’s corporate intellectual interests.
Original language | English |
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Title of host publication | Eating Fandom |
Subtitle of host publication | Intersections Between Fans and Food Culture |
Editors | CarrieLynn D. Reinhard, Julia Largent, Bertha Chin |
Place of Publication | London |
Publisher | Routledge |
Chapter | 12 |
Pages | 149-162 |
Number of pages | 14 |
ISBN (Electronic) | 978-0-429-27667-5 |
ISBN (Print) | 978-0-367-22743-2 |
Publication status | Published - 2021 |
Keywords
- fandom
- themed spaces
- media tourism
- material culture
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Spatial Transmedia, Participatory Culture & Fan Play in the Contemporary Theme Park
Rebecca Williams (Speaker)
10 Nov 2023Activity: Talk or presentation › Invited talk
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International Journal of Disney Studies (Journal)
Rebecca Williams (Editor)
28 Jun 2023 → …Activity: Publication peer-review and editorial work › Editorial activity
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Society for Cinema and Media Studies 2018
Rebecca Williams (Speaker)
14 Mar 2018 → 18 Mar 2018Activity: Participating in or organising an event › Participation in conference
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Press/Media: Expert Comment