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The Corsican Trap : it's mechanism and reception. / D'Arcy, Geraint.

In: Theatre Notebook, Vol. 65, No. 1, 01.01.2011.

Research output: Contribution to journalArticle

Harvard

D'Arcy, G 2011, 'The Corsican Trap: it's mechanism and reception', Theatre Notebook, vol. 65, no. 1.

APA

D'Arcy, G. (2011). The Corsican Trap: it's mechanism and reception. Theatre Notebook, 65(1).

Vancouver

D'Arcy G. The Corsican Trap: it's mechanism and reception. Theatre Notebook. 2011 Jan 1;65(1).

Author

D'Arcy, Geraint. / The Corsican Trap : it's mechanism and reception. In: Theatre Notebook. 2011 ; Vol. 65, No. 1.

BibTeX

@article{b4f86eee6831412db8f4bf712d1c70a5,
title = "The Corsican Trap: it's mechanism and reception",
abstract = "In 1852, Charles Kean commissioned Dion Boucicault to adapt Les Fr{\`e}res Corses for the English stage. Boucicault took the 1850 Parisian version, adapted it into The Corsican Brothers and under the direction of Charles Kean, who also played both leads, the play opened on 24 February at Kean's Princess's Theatre (Era 29 February 1852).The play is a revenge tale about twin brothers who share a psychic link. Split into three acts, the first two acts take place chronologically at the same time and lead to the one brother's death and his ghostly appearance to the other. The third act leads to the surviving brother's revenge. As a melodrama, the time discrepancy in the play is interesting as is the premise of the ghosts and the way the action plays out. The play should have been no better received than its French counterpart, but due to the staging of Kean's production, it was to become immensely popular.One month after opening at the Princess, The Corsican Brothers was running in five other London Houses (Era 21 March 1852), by April it had reached the Adelphi in Edinburgh (Era 4 April 1852) and the next week it opened in the Queen's Royal Theatre in Dublin. In Kean's eight year tenancy at the Princess, it was performed two hundred and thirty six times.",
keywords = "theatre history, theatre technology, 19th century theatre",
author = "Geraint D'Arcy",
year = "2011",
month = jan,
day = "1",
language = "English",
volume = "65",
journal = "Theatre Notebook",
number = "1",

}

RIS

TY - JOUR

T1 - The Corsican Trap

T2 - it's mechanism and reception

AU - D'Arcy, Geraint

PY - 2011/1/1

Y1 - 2011/1/1

N2 - In 1852, Charles Kean commissioned Dion Boucicault to adapt Les Frères Corses for the English stage. Boucicault took the 1850 Parisian version, adapted it into The Corsican Brothers and under the direction of Charles Kean, who also played both leads, the play opened on 24 February at Kean's Princess's Theatre (Era 29 February 1852).The play is a revenge tale about twin brothers who share a psychic link. Split into three acts, the first two acts take place chronologically at the same time and lead to the one brother's death and his ghostly appearance to the other. The third act leads to the surviving brother's revenge. As a melodrama, the time discrepancy in the play is interesting as is the premise of the ghosts and the way the action plays out. The play should have been no better received than its French counterpart, but due to the staging of Kean's production, it was to become immensely popular.One month after opening at the Princess, The Corsican Brothers was running in five other London Houses (Era 21 March 1852), by April it had reached the Adelphi in Edinburgh (Era 4 April 1852) and the next week it opened in the Queen's Royal Theatre in Dublin. In Kean's eight year tenancy at the Princess, it was performed two hundred and thirty six times.

AB - In 1852, Charles Kean commissioned Dion Boucicault to adapt Les Frères Corses for the English stage. Boucicault took the 1850 Parisian version, adapted it into The Corsican Brothers and under the direction of Charles Kean, who also played both leads, the play opened on 24 February at Kean's Princess's Theatre (Era 29 February 1852).The play is a revenge tale about twin brothers who share a psychic link. Split into three acts, the first two acts take place chronologically at the same time and lead to the one brother's death and his ghostly appearance to the other. The third act leads to the surviving brother's revenge. As a melodrama, the time discrepancy in the play is interesting as is the premise of the ghosts and the way the action plays out. The play should have been no better received than its French counterpart, but due to the staging of Kean's production, it was to become immensely popular.One month after opening at the Princess, The Corsican Brothers was running in five other London Houses (Era 21 March 1852), by April it had reached the Adelphi in Edinburgh (Era 4 April 1852) and the next week it opened in the Queen's Royal Theatre in Dublin. In Kean's eight year tenancy at the Princess, it was performed two hundred and thirty six times.

KW - theatre history

KW - theatre technology

KW - 19th century theatre

M3 - Article

VL - 65

JO - Theatre Notebook

JF - Theatre Notebook

IS - 1

ER -

ID: 91354