Abstract
Deciphering the perceived simplicity of the romance and idealisms of Isabel Clarendon as intentional and self-conscious intimates an entirely different view of the upper-class setting. Decoded, it appears as the site of precarious preset narratives that are precisely disposed to misreading and self-deception. Situating this early novel within the wider context of Gissing's works provides a better account of country house aesthetics than one based on the clear-cut dichotomy between "illusion and reality" that a chronological and biographical reading provokes. The focus of this argument is not to deny the presence of these concepts but rather to challenge the notion of their binary opposition through a rereading of the country house setting
| Original language | English |
|---|---|
| Pages (from-to) | 341-358 |
| Number of pages | 18 |
| Journal | English Literature in Transition, 1880-1920 |
| Volume | 60 |
| Issue number | 3 |
| Publication status | Published - 1 Apr 2017 |
| Externally published | Yes |