Musical Micro-utopias: Jazz everywhere and everyone playing jazz

Rob Smith

Musical Micro-utopias: Jazz everywhere and everyone playing jazz

Research output: Contribution to journal › Article › peer-review

12 Downloads (Pure)

Abstract

This article discusses the ideas of musical pleasure and micro-utopias by referring to three examples as briefly as possible in the full knowledge that the subjects merit a much longer and more detailed study. That is beyond the scope of this iteration. Apart from the Brecon Jazz section, which compares my personal experiences of the festival with published reports, the examples here are drawn from interviews with community music big band Wonderbrass and members of Creative Republic of Cardiff who run the Moon Club and organise the HUB festival.

Original language	English
Article number	5
Pages (from-to)	56-66
Number of pages	11
Journal	Riffs: Experimental writing on popular music
Volume	5
Issue number	2
Publication status	Published - 17 Dec 2021

Keywords

Musical pleasure
Flow
Local Music Scenes
Music and Communities
Live Music Policy

UN SDGs

This output contributes to the following UN Sustainable Development Goals (SDGs)

Access to Document

Utopias - Riffs - finalAccepted author manuscript, 67.8 KB

https://riffsjournal.org/2021/12/22/robert-smith-musical-micro-utopias/Licence: Unspecified

Cite this

@article{5334ca3c4e6e4789ba43037dc7e12cea,

title = "Musical Micro-utopias: Jazz everywhere and everyone playing jazz ",

abstract = "This article discusses the ideas of musical pleasure and micro-utopias by referring to three examples as briefly as possible in the full knowledge that the subjects merit a much longer and more detailed study. That is beyond the scope of this iteration. Apart from the Brecon Jazz section, which compares my personal experiences of the festival with published reports, the examples here are drawn from interviews with community music big band Wonderbrass and members of Creative Republic of Cardiff who run the Moon Club and organise the HUB festival.",

keywords = "Musical pleasure, Flow, Local Music Scenes, Music and Communities, Live Music Policy",

author = "Rob Smith",

note = "Dr. Rob Smith is a Senior Lecturer in Music and Performing Arts at the Faculty of Creative Industries at the University of South Wales. Apart from being musical director of Wonderbrass he also composes, improvises, and performs music throughout the UK, Europe and, occasionally, USA. He is a founder member of Community Music Wales and has also led creative workshops for organisations such as Welsh National Opera, St. David{\textquoteright}s Hall and South Wales Intercultural Community Arts. He has also creatively collaborated with musicians from France, Germany, Belgium, Netherlands, Romania, Gambia, Cameroon, GuineaSouth Africa and South India.",

year = "2021",

month = dec,

day = "17",

language = "English",

volume = "5",

pages = "56--66",

journal = "Riffs: Experimental writing on popular music",

issn = "2513-8537",

number = "2",

}

TY - JOUR

T1 - Musical Micro-utopias

T2 - Jazz everywhere and everyone playing jazz

AU - Smith, Rob

N1 - Dr. Rob Smith is a Senior Lecturer in Music and Performing Arts at the Faculty of Creative Industries at the University of South Wales. Apart from being musical director of Wonderbrass he also composes, improvises, and performs music throughout the UK, Europe and, occasionally, USA. He is a founder member of Community Music Wales and has also led creative workshops for organisations such as Welsh National Opera, St. David’s Hall and South Wales Intercultural Community Arts. He has also creatively collaborated with musicians from France, Germany, Belgium, Netherlands, Romania, Gambia, Cameroon, GuineaSouth Africa and South India.

PY - 2021/12/17

Y1 - 2021/12/17

N2 - This article discusses the ideas of musical pleasure and micro-utopias by referring to three examples as briefly as possible in the full knowledge that the subjects merit a much longer and more detailed study. That is beyond the scope of this iteration. Apart from the Brecon Jazz section, which compares my personal experiences of the festival with published reports, the examples here are drawn from interviews with community music big band Wonderbrass and members of Creative Republic of Cardiff who run the Moon Club and organise the HUB festival.

AB - This article discusses the ideas of musical pleasure and micro-utopias by referring to three examples as briefly as possible in the full knowledge that the subjects merit a much longer and more detailed study. That is beyond the scope of this iteration. Apart from the Brecon Jazz section, which compares my personal experiences of the festival with published reports, the examples here are drawn from interviews with community music big band Wonderbrass and members of Creative Republic of Cardiff who run the Moon Club and organise the HUB festival.

KW - Musical pleasure

KW - Flow

KW - Local Music Scenes

KW - Music and Communities

KW - Live Music Policy

M3 - Article

VL - 5

SP - 56

EP - 66

JO - Riffs: Experimental writing on popular music

JF - Riffs: Experimental writing on popular music

SN - 2513-8537

IS - 2

M1 - 5

ER -

Musical Micro-utopias: Jazz everywhere and everyone playing jazz

Abstract

Keywords

UN SDGs

Access to Document

Fingerprint

Cite this