Hyenas of the Battlefield, Machines in the Garden, is a study into the ‘unholy alliance’ between the military, the entertainment industry and technology, and their coalescence around modern-day warfare. As Fredric Jameson famously observed in 1991 “the underside of culture is blood, torture, death and horror.”

Barnard’s publication explores the complex relationship between these apparently divergent arenas and how the screen is pivotal to the emergence and ongoing development in the relationship between war, media and industry as they relate to the virtual and the real.

Shifting from screen to landscape and incorporating imagery from disparate yet indelibly connected areas: from Las Vegas to Pakistan, Waziristan to Hollywood (via Washington), this new work questions photojournalism’s ‘truth claims’ and the indecipherable, all-consuming nature of the industrial-military complex.
Original languageEnglish
PublisherGOST Books
Number of pages192
ISBN (Print)978-0957427297
Publication statusPublished - 1 Nov 2014

    Research areas

  • Documentary Photography, Photojournalism, war, media, industry, industrial-military complex, soldiers, civilians, modern-day warfare

ID: 321462