Abstract
Using a series of reflective case-studies, the role of the Foley artist is reconsidered alongside technological innovations in both digital sound-manipulation and physical computing. A variety of approaches to electronic sound-production and control are described along with first-hand reflections on the expressivity and control that are offered by each within a context of live drama. In redefining digital-Foley, design considerations are outlined that could enhance the connectivity between the sound-artist and the sonic-landscapes they create.
Original language | English |
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Title of host publication | N/A |
Publication status | Accepted/In press - 1 Jan 1990 |
Event | ArtsIT 2013 - Milan Duration: 21 Mar 2013 → 23 Mar 2013 |
Conference
Conference | ArtsIT 2013 |
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Period | 21/03/13 → 23/03/13 |
Keywords
- Technology
- theatre
- drama
- liveness
- sound
- music
- Foley