Using a series of reflective case-studies, the role of the Foley artist is reconsidered alongside technological innovations in both digital sound-manipulation and physical computing. A variety of approaches to electronic sound-production and control are described along with first-hand reflections on the expressivity and control that are offered by each within a context of live drama. In redefining digital-Foley, design considerations are outlined that could enhance the connectivity between the sound-artist and the sonic-landscapes they create.
|Title of host publication||N/A|
|Publication status||Accepted/In press - 1 Jan 1990|
|Event|| ArtsIT 2013 - Milan|
Duration: 21 Mar 2013 → 23 Mar 2013
|Period||21/03/13 → 23/03/13|