Digital-Foley and Live Performance

Robert Dean, Ben Challis

Research output: Chapter in Book/Report/Conference proceedingConference contributionpeer-review

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Abstract

Using a series of reflective case-studies, the role of the Foley artist is reconsidered alongside technological innovations in both digital sound-manipulation and physical computing. A variety of approaches to electronic sound-production and control are described along with first-hand reflections on the expressivity and control that are offered by each within a context of live drama. In redefining digital-Foley, design considerations are outlined that could enhance the connectivity between the sound-artist and the sonic-landscapes they create.
Original languageEnglish
Title of host publicationN/A
Publication statusAccepted/In press - 1 Jan 1990
Event ArtsIT 2013 - Milan
Duration: 21 Mar 201323 Mar 2013

Conference

Conference ArtsIT 2013
Period21/03/1323/03/13

Keywords

  • Technology
  • theatre
  • drama
  • liveness
  • sound
  • music
  • Foley

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