This article is an account of a trans-European poetry-film project, Continental Drift, which consists of a system of mutating from one short film to the next via poetry. Its methodology is explained, along with a description of how the project, still in its initial stages, is progressing. The main theoretical notion that underpins the project is viewing translation as a key concept for understanding European identity. The article first explores a view of European history and culture from a translational perspective, before demonstrating how these ideas have informed how the project is structured and viewed. Finally, the term moiré, borrowed from physics, is introduced as a general cultural term, but specifically used here to facilitate an under- standing of translation and poetry-film.
Original languageEnglish
Pages (from-to)79 - 92
Number of pages13
JournalJournal of Adaptation in Film and Performance
Volume5
Issue number1
Publication statusPublished - 1 Mar 2012

    Research areas

  • poetry-film, europe, translation, moiré, poetry

ID: 87126