Abstract
This essay explores Fassbinder’s play and film of Petra von Kant as an experiment in self-adaptation. The works are placed in context and analysed in theoretical and critical contexts.
| Original language | English |
|---|---|
| Title of host publication | Pasolini, Fassbinder, Europe: between Utopia and Nihilism |
| Pages | 142-150 |
| Publication status | Published - 1 Oct 2010 |
Keywords
- fassbinder
- adaptation
- theatre practice