Bitter Tears and an Image of Sickness: Fassbinder and Self-Adaptation

Richard Hand

Research output: Chapter in Book/Report/Conference proceedingChapterpeer-review

Abstract

This essay explores Fassbinder’s play and film of Petra von Kant as an experiment in self-adaptation. The works are placed in context and analysed in theoretical and critical contexts.
Original languageEnglish
Title of host publicationPasolini, Fassbinder, Europe: between Utopia and Nihilism
Pages142-150
Publication statusPublished - 1 Oct 2010

Keywords

  • fassbinder
  • adaptation
  • theatre practice

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