Aegean monkeys and the importance of cross-disciplinary collaboration in archaeoprimatology: a reply to Urbani and Youlatos

Marie Nicole Pareja, Tracie Mckinney, Joanna M. Setchell

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    Abstract

    In their reply to our article “A new identification of the monkeys depicted in a Bronze Age wall painting from Akrotiri, Thera” [Primates 61(3), 2019], Urbani and Youlatos (Primates https ://doi.org/10.1007/s1032 9-020-00825 -2, 2020) argue for the traditional identification of the monkeys depicted on the north and west walls of Room 6 of Building Complex Beta at Akrotiri, Thera, as vervet monkeys (Fig. 1). Their argument is based largely on previous scholarship and their analysis of monkey morphology as it appears in this Bronze Age artwork. Here, after clarifying some misconceptions and misquotations, we thoroughly contextualize the wall painting in question, emphasizing the importance of collaboration between disparate disciplines for a multifaceted and rigorous approach. The nature of the item in question is key in this reply: it is an artwork. Because the artwork in question is a cultural representation of monkeys rather than a study of live primates or preserved specimens, consideration of artistic choice, color conventions, and the agency of the artist, which are important
    facets of material culture, is important when answering the questions raised by Urbani and Youlatos, and should stimulate further cross-disciplinary discussions.
    Original languageEnglish
    Pages (from-to)767-774
    Number of pages8
    JournalPrimates
    Volume61
    Issue number6
    Early online date5 Sep 2020
    DOIs
    Publication statusPublished - 5 Sep 2020

    Keywords

    • Art
    • Bronze Age Aegean
    • Exchange
    • Indus
    • Langur

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