Abstract
As time goes by we will increasingly be marked more by abstract, distanced and imaginative renditions of the traumatic historical rupture of the Holocaust than by any personal or tangible connection - this article explores a bookwork/filmwork by artist Daniel Blaufuks engaging questions of what that might mean for us.
Original language | English |
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Pages (from-to) | 255-366 |
Journal | Philosophy of Photography |
Volume | 2 |
Issue number | 2 |
DOIs | |
Publication status | Published - 1 Jul 2012 |
Keywords
- family photography
- photographic time/duration
- Benjamin
- Barthes
- networked image