1. 2017
  2. Performance and the Maternal

    Underwood-Lee, E., 16 May 2017, MAMSIEBLOG.

    Research output: Other contribution

  3. Titillation

    Underwood-Lee, E., 1 Mar 2017, Risk and Regulation at the Interface of the Arts and Medicine: Dangerous Currents. Bleakley, A., Lynch, L. & Whelan, G. (eds.). Newcastle upon Tyne: Cambridge Scholars Publishing, p. 91-97 6 p.

    Research output: Chapter in Book/Report/Conference proceedingChapter

  4. Manifesto for Maternal Performance (Art), 2016!

    Underwood-Lee, E. & Šimić, L., 24 Feb 2017.

    Research output: Contribution to conferencePaper

  5. The Heritage of Orchards & Cider Making in Wales

    Underwood-Lee, E. & James, C., 2017

    Research output: Non-textual formWeb publication/site

  6. 2016
  7. Performance and the Maternal

    Underwood-Lee, E. & Šimić, L., 24 Dec 2016, In : Contemporary Theatre Review. p. 534-537

    Research output: Contribution to journalComment/debate

  8. Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal

    Underwood-Lee, E., Oct 2016, London: Live Art Development Agency. 42 p.

    Research output: Book/ReportBook

  9. ‘What the Body Commands: The Imperative Theory of Pain’ reviewed by Emily Underwood-Lee

    Underwood-Lee, E., 28 May 2016, Centre for Medical Humanities.

    Research output: Other contribution

  10. Performance and the Maternal

    Underwood-Lee, E. & Šimić, L., 6 May 2016.

    Research output: Contribution to conferencePaper

  11. Motherhood and Live Art

    Underwood-Lee, E., Jan 2016, The Institute for the Art and Practice of Dissent at Home.

    Research output: Book/ReportCommissioned report

  12. 2015
  13. Titillation plus post-show discussion

    Underwood-Lee, E., 24 Jun 2015.

    Research output: Contribution to conferencePaper

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