Underexposed: The Neglected Art of the Cinematographer

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Nevill, A. (2021) Towards a Philosophy of Cinematography (Switzerland: Palgrave Macmillan), pp. 60, 80, cites Cowan, P. (2012a) "Underexposed: The neglected art of the cinematographer". "Cowan reframes discussion of the visual aesthetic of Citizen Kane to argue that Toland heavily and creatively influenced the film... Cowan attributes the film's success to an affective collaboration between Welles, Toland and other key practitioners involved to ultimately suggest that authorship can only belong to a combination of individuals and will vary from production to production." (p.60)

Aguilar, R. R. G. (2019) "Digital cinema and the decentered author" in Digital Cinema and Auteur Theory (pp. 23-52), Mexico: Metropolitan Autónoma University, cites Cowan, P. (2012a) "Underexposed: The neglected art of the cinematographer”, 38.

Cortés-Selva, L. (2018) Comunicación Visual. Fotografía Cinematográfica Avanzada (Visual Communication: Advanced Cinematographic Photography), Barcelona: Oberta UOC S.L.. ISBN-13 978-8491800873, cites Cowan, P. (2012a) "Underexposed: The neglected art of the cinematographer"

Van Kets, M. (2018) The Emotions of a Lens:A Study of the Perception of Cinematography. Ghent: Skribis, ISBN 9789492944009, cites Cowan, P. (2012a) "Underexposed: The neglected art of the cinematographer"

Jackson, C. (2018) "The Touch of the “First” Black Cinematographer in North America: James E. Hinton, Ganja & Hess, and the NEA Films at the Harvard Film Archive" in Black Camera 10:1 (Fall 2018), pp. 67-95, USA: Indiana University Press, cites Cowan, P. (2012a) "Underexposed: The neglected art of the cinematographer", p. 94.

Atkinson, S. (2017) "From Film Practice to Data Process: Production Aesthetics and Representational Practices of a Film Industry in Transition", Edinburgh: Edinburgh University Press, cites Cowan, P. (2012a) "Underexposed: The neglected art of the cinematographer", p. 14.

Clarke, J. (2017) "Elegies to Cinematography: The Digital Workflow, Digital Naturalism and Recent Best Cinematography Oscars" in Collaborative Production in the Creative Industries. J. Graham and A. Gandini (eds.), pp. 105–123. London: University of Westminster, cites Cowan, P. (2012a) "Underexposed: The neglected art of the cinematographer", pp. 108-109. "Certainly, convincing as a piece of historical revisionism" (Clarke, 2017, p. 108).

Leckey B. (2017) "Capra's the Matter with Capra: Sullivan's Travels as Narrative and Textual Complicitous Critique" in Quarterly Review of Film and Video 34:1 pp. 37-49. Taylor & Francis Online, cites Cowan, P. (2012a) "Underexposed: The neglected art of the cinematographer", p. 4.

Hunter, A. (2016) Hal Ashby: The Myth of the New Hollywood Auteur. NY: Bloomsbury, cites Cowan, P. (2012a) "Underexposed: The neglected art of the cinematographer", pp. 10, 59, 122. "Cowan is able to tease out a stylistic signature that is strictly Toland's, thereby buttressing his arguments for Toland's authorial contribution to Kane" (Hunter, 2016, p. 10).

McGowan, N. (2016) “Light Creators: An overview of Cinematographer’s Authorship” in Nuevas Formas De Expresión en Comunicación (New Forms of Expression in Communication), del Valle Rojas, C., Santamaria, C. S. (Eds), pp. 527-536, Spain: McGraw-Hill, cites Cowan, P. (2012a) "Underexposed: The neglected art of the cinematographer”.

Sharma, A. (2015) Documentary Films in India: Critical Aesthetics at Work. NY: Palgrave Macmillan, cites Cowan, P. (2012a) "Underexposed: The neglected art of the cinematographer", pp. 205-6.