Analyzing Stylistic Patterning in Film to Establish the Cinematographer as Coauthor: A Case Study of Gregg Toland

Activity: OtherPublications - Cited By

Description

Riis, J., (2021) “The Richness of a Narrative Arrest: Performance and Scenic Composition in the Cinema of William Wyler” in Projections: The Journal for Movies and the Mind, 15:3, pp. 68-87. ISSN 1934-9688 (Print), ISSN 1934-9696 (Online), cites Cowan, P. (2017) “Analyzing Stylistic Patterning in Film to Establish the Cinematographer as Coauthor: A Case Study of Gregg Toland”.

Vignati, R. (2021) “Screenwriters and Multiple Authorship: Preliminary Reflections Across Political Sociology and Film Criticism”, in Cinergie – Il Cinema e le alter Arti, 10:19, pp. 231-249. doi: 10.6092/issn.2280-9481/11018, cites Cowan, P. (2017) “Analyzing Stylistic Patterning in Film to Establish the Cinematographer as Coauthor: A Case Study of Gregg Toland”.

Fingerhut, J. (2020) “Twofoldness in Moving Images: The Philosophy and Neuroscience of Filmic Experience” in Projections: The Journal for Movies and the Mind, 14:3, Special Issue on Analytical Aesthetics and Film. M. Slugan & E. Terrone (eds.), pp. 1-20. New York: Berghahn Journals, ISSN 1934-9688, cites Cowan, P. (2017) “Analyzing Stylistic Patterning in Film to Establish the Cinematographer as Coauthor: A Case Study of Gregg Toland”

Period20202021
Degree of RecognitionInternational