Crynodeb
This article considers two examples of life story performance: the first autobiographical work about the author’s recovery from stroke, and the second the life-story production Re-Live Theatre’s Memoria about dementia. It explores how performing life stories facilitates connection between performers with transformed cognitive capacities and their audiences, and posits that life-story performance offers a unique way to affect relations between performers and their audiences through an experience of ‘felt resonance’. The article argues that felt resonance in performance matters: it leads to possibilities of transformative connections within and between bodies, as well as the systems that they are part of.
| Iaith wreiddiol | Saesneg |
|---|---|
| Tudalennau (o-i) | 378-389 |
| Nifer y tudalennau | 12 |
| Cyfnodolyn | Research in Drama Education |
| Cyfrol | 25 |
| Rhif cyhoeddi | 3 |
| Dyddiad ar-lein cynnar | 6 Awst 2020 |
| Dynodwyr Gwrthrych Digidol (DOIs) | |
| Statws | E-gyhoeddi cyn argraffu - 6 Awst 2020 |