The Importance of Husserl's Phenomenology of Internal Time-Consciousness for Music Analysis and Composition

Georg Boenn

Allbwn ymchwil: Pennod mewn Llyfr/Adroddiad/Trafodion CynhadleddCyfraniad i gynhadleddadolygiad gan gymheiriaid

Crynodeb

Beginning with Edmund Husserl's phenomenology of internal time-consciousness we would like to explore in this paper how musical perception is based on the conscious reduction of acoustic and spatio-temporal diversity into unity. In his lectures Husserl exemplifies his views with an analysis about the perception of a single sound and a sequence of sounds within a melody. They deliver an informative basis for us in order to rethink the perception of musical time and the perception of rhythms in particular. We demonstrate the impact of his phenomenology on music analysis and composition.
Iaith wreiddiolSaesneg
TeitlN/A
StatwsCyhoeddwyd - 25 Awst 2008
Digwyddiad International Computer Music Conference, Proceedings of the International Computer Music Conference - Queens University, Belfast
Hyd: 1 Awst 20081 Awst 2008

Cynhadledd

Cynhadledd International Computer Music Conference, Proceedings of the International Computer Music Conference
Cyfnod1/08/081/08/08

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