Representing and Reconstructing Identities in the Postwar World: Refugees, UNRRA, and Fred Zinnemann's Film, 'The Search' (1948)

Sharif Gemie; Louise Ingram

doi:10.1017/S0020859011000198

Representing and Reconstructing Identities in the Postwar World: Refugees, UNRRA, and Fred Zinnemann's Film, 'The Search' (1948)

Sharif Gemie, Louise Ingram

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This article analyses Fred Zinnemann's 1948 film, The Search, setting in the context of displaced persons in post-1945 Europe. We concentrate on Zinnemann's treatment of the United Nations Relief and Rehabilitation Administration (UNRRA), arguing that this is central to the film. We also consider the film's references to Americanism, Zionism, gender equality, and children's wartime experiences.

Iaith wreiddiol	Saesneg
Tudalennau (o-i)	441 - 473
Nifer y tudalennau	32
Cyfnodolyn	International Review of Social History
Cyfrol	56
Rhif cyhoeddi	4
Dynodwyr Gwrthrych Digidol (DOIs)	https://doi.org/10.1017/S0020859011000198
Statws	Cyhoeddwyd - 1 Rhag 2011

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10.1017/S0020859011000198Trwydded: CC BY-NC-ND

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abstract = "This article analyses Fred Zinnemann's 1948 film, The Search, setting in the context of displaced persons in post-1945 Europe. We concentrate on Zinnemann's treatment of the United Nations Relief and Rehabilitation Administration (UNRRA), arguing that this is central to the film. We also consider the film's references to Americanism, Zionism, gender equality, and children's wartime experiences.",

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KW - United Nations Relief and Rehabilitation Administration

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Representing and Reconstructing Identities in the Postwar World: Refugees, UNRRA, and Fred Zinnemann's Film, 'The Search' (1948)

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