Matching Mole, Progressive Style, Genre and Protest

    Allbwn ymchwil: Cyfraniad at gynhadleddPapuradolygiad gan gymheiriaid

    Crynodeb

    After providing a brief analysis of selected tracks from the band’s two official albums, the paper will consider how their creative output resonates with genre, stylistic labelling and protest narratives. This short-lived band were formed during the last couple of months of 1971, after Robert Wyatt had completed his five-year tenure in Soft Machine, with the name simply being a sarcastic pun on the French translation of his old band – Machine Molle. In addition to Wyatt, the band consisted of Phil Miller on guitar, Dave Sinclair and Dave MacRea on keys and Bill MacCormick on bass. I had the opportunity to interview three of the five members when putting together this paper.
    Iaith wreiddiolSaesneg
    StatwsCyhoeddwyd - 27 Mai 2016
    Digwyddiad2 nd International Conference of the Progect Network for the study of Progressive Rock - Edinburgh, Y Deyrnas Unedig
    Hyd: 25 Mai 201627 Mai 2016

    Cynhadledd

    Cynhadledd2 nd International Conference of the Progect Network for the study of Progressive Rock
    Gwlad/TiriogaethY Deyrnas Unedig
    DinasEdinburgh
    Cyfnod25/05/1627/05/16

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