Immersion versus Alienation: Listening to Life on Mars

Robert Smith

Immersion versus Alienation: Listening to Life on Mars

Cyfadran y Diwydiannau Creadigol

Allbwn ymchwil: Pennod mewn Llyfr/Adroddiad/Trafodion Cynhadledd › Pennod › adolygiad gan gymheiriaid

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The music of Life on Mars contrasts music from the 1973 setting of the series with commissioned music that is heavily synthesized and frequently alienating and drone based. This chapter investigates this relationship and the way it is frequently used to highlight central character Tyler’s alternating immersion in, and alienation from, the 1973 world he finds himself. The Chapter also investigates the series’ use of leitmotif and intertextuality. And also at the way that some of the musical conventions established in series 1 are broken in the second series.

Iaith wreiddiol	Saesneg
Teitl	Life on Mars: From Manchester to New York
Statws	Cyhoeddwyd - 15 Maw 2012

NDC y CU

Mae’r allbwn hwn yn cyfrannu at y Nod(au) Datblygu Cynaliadwy canlynol

NDC 5 Cydraddoldeb Rhywiol

Life on Mars: From Manchester to New York
McElroy, R. & Lacey, S., 2012, Cardiff: University of Wales Press.
Allbwn ymchwil: Llyfr/Adroddiad › Llyfr › adolygiad gan gymheiriaid

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Immersion versus Alienation: Listening to Life on Mars

Crynodeb

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Life on Mars: From Manchester to New York

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