"Confession of Man's Weakness":: Relics and the Metamodern Discourse

    Allbwn ymchwil: Cyfraniad arall


    This essay explores issues that include Robert Barker's panoramic paintings, the commodification of the sublime, and the newly emerging condition of metamodernism, argued by some in recent years to have usurped the dominance of postmodernism. It also addresses Bourriard's theory of relational aesthetics, originally posited in 1996 and remarkably prescient in view of the increasing emphasis on interactivity and participation in contemporary creative practice.
    Iaith wreiddiolSaesneg
    Cyfrwng allbwnprinted catalogue and online journal publication
    CyhoeddwrNational Museum Wales
    Nifer y tudalennau2
    StatwsCyhoeddwyd - Meh 2015

    Ôl bys

    Gweld gwybodaeth am bynciau ymchwil '"Confession of Man's Weakness":: Relics and the Metamodern Discourse'. Gyda’i gilydd, maen nhw’n ffurfio ôl bys unigryw.

    Dyfynnu hyn