Crynodeb
The article presents an analysis of a fragment of multimedia performance by the Japanese theatre company Gekidan Kaitaisha in 2004. The piece involved a performer physically responding to recorded images, displayed on a nearby laptop, of military surveillance footage of the bombing of a village in Afghanistan. As an observer of the piece I was shocked both at its content
and at the strength of my emotional response. In this article I deconstruct my subjective response to the event, in order to understand the mechanics of the performance.
and at the strength of my emotional response. In this article I deconstruct my subjective response to the event, in order to understand the mechanics of the performance.
Iaith wreiddiol | Saesneg |
---|---|
Cyfnodolyn | Body, Space & Technology |
Cyfrol | 6 |
Rhif cyhoeddi | 2 |
Statws | Cyhoeddwyd - 2002 |