Buchanan & Goodman, “The Flying Saucer” Parts 1 & 2 (1956)

Paul Carr

doi:10.5040/9781501368448

Buchanan & Goodman, “The Flying Saucer” Parts 1 & 2 (1956)

Paul Carr

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In this chapter I outline how sampling, industry litigation, novelty recording, and mashup quotations combined in ‘Flying Saucer’, resulted in the song’s unique position in the history of popular music, despite the fact it was the only hit Buchanan and Goodman ever had.

Iaith wreiddiol	Saesneg
Teitl	One-Hit Wonders
Is-deitl	An Oblique History of Popular Music
Golygyddion	Sarah Hill
Cyhoeddwr	Bloomsbury Academic
Pennod	1
Tudalennau	5-13
Nifer y tudalennau	9
ISBN (Electronig)	978-1-5013-6844-8, 978-1-5013-6843-1
ISBN (Argraffiad)	978-1-5013-6840-0, 978-1-5013-6841-7
Dynodwyr Gwrthrych Digidol (DOIs)	https://doi.org/10.5040/9781501368448 https://doi.org/10.5040/9781501368448.0008
Statws	Cyhoeddwyd - 24 Chwef 2022

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abstract = "In this chapter I outline how sampling, industry litigation, novelty recording, and mashup quotations combined in {\textquoteleft}Flying Saucer{\textquoteright}, resulted in the song{\textquoteright}s unique position in the history of popular music, despite the fact it was the only hit Buchanan and Goodman ever had. ",

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AB - In this chapter I outline how sampling, industry litigation, novelty recording, and mashup quotations combined in ‘Flying Saucer’, resulted in the song’s unique position in the history of popular music, despite the fact it was the only hit Buchanan and Goodman ever had.

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Buchanan & Goodman, “The Flying Saucer” Parts 1 & 2 (1956)

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